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Tim Watson challenges the idea that Caribbean colonies in the nineteenth century were outposts of empire easily relegated to the realm of tropical romance while the real story took place in Britain. Analyzing pamphlets, newspapers, estate papers, trial transcripts, and missionary correspondence, this book recovers stories of ordinary West Indians, enslaved and free, as they made places for themselves in the empire and the Atlantic world, from the time of sugar tycoon Simon Taylor to the perspective of Samuel Ringgold Ward, African American eyewitness to the 1865 Morant Bay rebellion. With readings of Maria Edgeworth and George Eliot, the book argues that the Caribbean occupied a prominent place in the development of English realism.  However, Watson shows too that we must sometimes turn to imperial romance - which made protagonists of rebels and religious leaders, as in Hamel, the Obeah Man (1827) - to understand the realities of Caribbean cultural life.

• Sales Rank: #4761808 in Books
• Published on: 2011-03-03
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .63" w x 5.98" l, .93 pounds
• Binding: Paperback
• 286 pages

Review
"Watson admirably negotiates between historical methodologies and literary criticism...In a move that nicely foregrounds the transatlantic dimension of his study, [he] concludes with an epilogue describing the transitional power relations in the Caribbean during the late nineteenth century....[he] ends his fine study with a reminder of the crucial role that Jamaica played in the politics of the Caribbean, Britain, and even the United States during the period examined in his book."
-Susan Hall, H-Net Reviews. July, 2011

"...Watson's book makes an impressive contribution to scholarship on these works."
-Susan Hall,Cameron University

"Watson's study thus eloquently heeds its own caution: instead of reproducing the paranoid fantasies of white Creole slave masters and metropolitan abolitionists alike who saw slave conspiracies at every turn, scholars might limn a more realistic and less romantic-and thus balanced-interpretation of the mutually constitutive dynamic between Caribbean culture and British fiction across the nineteenth-century Atlantic world."
-Sean X. Goudie,Pennsylvania State University

"...some may argue against his reliance on imperial archives, he makes a commendable effort to read them against the grain and fill in some of the historical gaps that have hitherto been ignored."
-CHANDANI PATEL,University of Chicago

"While his book is part of the Cambridge Studies in Nineteenth-Century Literature and Culture series, Watson goes on to provide as much if not more a history of the nineteenth-century Caribbean, with an impressive immersion in colonial documents, missionary archives, local newspapers, and pamphlets to capture the quotidian details of a world in transformation."
-John M. Picker,Massachusetts Institute of Technology

About the Author
Tim Watson is an attorney and sixth-generation resident of Jackson County with a lifelong interest in history. Betsy Jacoway Watson is a native Arkansan and a professional historian. The images in this book come from a wide variety of sources, most notably from the Jackson County Historical Society, of which both authors have been president, and the Jacksonport State Park Museum.

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